Aerial Team

Provided aerial services with Lightcraft.tv, with my role as gimbal and drone tech for gimbaled FPV and hard-mount RED Komodo custom setups.

Director of Photography for 2026 Nissan Armada. Shot on Alexa Mini LF, Signature Primes and Zooms.

Aerials and Arm Car

Worked under Override Films out of SLC, as a Motocrane Radical boom op and DJI Inspire camera operator.

I served as Gimbal Tech with service provider Lightcraft.tv for DP Oliver Miller. For this project, we utilized the Motion Impossible AGITO motorized dolly for specialized camera movement, floating a Sony Venice 2 in Rialto mode on a DJI RS3 Gimbal. This same camera setup was also built into a steadicam mode for handheld work.

Raptor Arm Car

Worked with Override Films as an Inspire 3 camera operator in Ouray, Colorado to film the new Lexus GX550, along side our Motocrane team simultaneously.

Aerials and Specialty Camera Rigging

I served as Camera Operator under service provider Lightcraft. Tech utilized was a RED V-Raptor with 9mm Laowa built on DJI RS3 Float and Vest. Flowcine Blackarm was also built on a Cam-Am X3 Turbo with a Ronin 2 for use in the Dunes.

Aerial Team

1st AC, Camera Rigging, Arm car with Rally Studios

Worked with Vision Creative as a Motocrane Boom Op, Camera Rigging Grip, and Drone Camera Operator on this spot for Polaris and Motortrend.

Shot with DP Nash Howe for Giant Bikes. Roles included camera car with Flowcine Blackarm, Ronin 2 Gimbal, RED Gemini. Bike mounted camera rigging with RED Komodo. Drone Pilot with DJI Inspire 2.

I served as Drone Pilot, Gimbal and Blackarm Tech for this project for the Denver Broncos, in conjunction with Lightcraft and Triglass Productions. Tech utilized: RED V-Raptor with Hawk Anamorphics on Ronin 2 and Flowcine Black Arm. DJI Inspire 2 Drone.

I served as Gimbal Operator and Drone Cam Op for Director Jonny Mass and DP Pete Konczal, ASC. Production Company Aether Films. Tech utilized for handheld work was DJI Ronin 2 with Sony Venice 2 and Hawk Anamorphics. Drone system used was Freefly Alta X with Movi Pro.

FPV Gimbal Tech and AC for Aether Films. Shot on Custom RED Komodo FPV.

Camera Operator, Drone Pilot and Key Grip work for DP Nash Howe and Blue Ox Films. Shot on Alexa Mini LF, Atlas Anamorphics, Ronin 2 and Flowcine Blackarm on Jeep Wrangler.

Specialty Gimbal Tech for DP Norm Li, service provider Lightcraft. Ronin 2 Gimbal Build with Arri 416 and Ultra Primes, shot on a 10-story pulley rig.

Blackarm/Gimbal Tech and Camera Car Driver for Aether Films. Rigs were built on Jeep Wranger and Ski-Doo snowmobile. Tech used was Flowcine Blackarm floating Ronin 2, Arri Mini LF with Signature Primes.

Gimbal Tech and Light Drone Operator, service provider Lightcraft. Tech used was Freefly Alta X with Stratus LED on Movi Pro, DJI Ronin 2 with Sony FS9 and Leica R Primes.

Blackarm/Gimbal Tech for Aether Films. . Tech used was Flowcine Blackarm floating Ronin 2, Arri Mini LF with Hawk Anamorphics.

Drone Camera Operator, service provider Lightcraft. Tech utilized was Freefly Alta X + Movi Pro, carrying Arri Mini LF and Leica R’s.

Drone Camera Operator with service provider Lightcraft. DJI Inspire 2 X7.

Drone Pilot Single op, DJI Inspire 2 X7.

Drone Pilot Single op, DJI Inspire 2 X7.